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Classical Music
Janelle Gelfand on the classical music scene


Janelle's pen has taken her to Japan, China, Carnegie Hall, Europe (twice), East and West Coasts, and Florida. In fact, Janelle was the first Enquirer reporter to report from Europe via e-mail -- in 1995.

Janelle began writing for the Cincinnati Enquirer as a stringer in 1991 while writing a Ph.D. dissertation in musicology at the University of Cincinnati College-Conservatory of Music. She joined the Enquirer staff in 1993.

Born and raised in the San Francisco Bay Area, where she graduated from Stanford University, Janelle has lived in Cincinnati for more than 30 years. In her free time, this pianist plays chamber music with her circle of musical friends in Cincinnati.

She covers the Cincinnati Symphony, May Festival and Cincinnati Opera, the Cincinnati Chamber Orchestra, chamber music ensembles, and as many recitals and events at CCM and NKU as possible.

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Monday, April 16, 2007

Classical music in halls and malls

Regarding all the discussion below about programming at the CSO, I'm giving you a link to last week's symphony review, in case you didn't see it. Most classical music lovers regard music by Sibelius and even Carl Nielsen as part of the standard symphonic repertoire. This is great orchestral music, and I don't know why some people are offended by "Nordic" music. As for Paavo's programming philosophy of mixing it up with the occasional "living composer" like Erkki-Sven Tuur or Charles Coleman -- I am always curious about the piece, sometimes underwhelmed, sometimes impressed, but never disappointed when I go. I wish there was a better forum for the music of today -- hey how about a separate festival (a la MTT's in San Francisco) called "Music of Today," featuring local composers, American composers, including a few FEMALE composers, please ... ? The possibilities are endless. As one blogger commented below, if we do not hear and support today's classical music, we will not move forward as a culture.

As for next year's programming, I am personally most excited about the Stravinsky festival.

On a related topic is today's letter to the editor. Yes, ironically, classical music is being piped into malls to keep out the "undesirable elements." I think our downtown Public Library has also been playing Mozart string quartets (but not Bruckner) in front of the bus stop by the library, to keep people from loitering there. Is this a good thing -- or not??


3 Comments:

at 4/17/2007 07:28:00 AM Anonymous Anonymous said...

They say music can calm the savage beast. I say pipe Mozart throughout the entire downtown area!

 
at 4/17/2007 10:14:00 AM Anonymous Anonymous said...

As far as programing wouldn't it be interesting to have at least half of several evenings programing for a couple weeks of the season "open" (TBA) for works that could be added to meet the evolving tempo of the season? The CSO could have a blog to solicit input from those interested in classical music who are potential concert attendees (known as customers in any other business)and evaluate the solicitations from there. They could be new works (The Kronos Quartet sometimes records music that is literally only days old), new or newer works of American, Hispanic, female,-pick a catagory-, or some of the music found in film can be an interesting source without being cycled through the "Pops" machine. The possibilities are many and limited only by the imagination of artistic director and the marketing departments .
When the program is locked in place almost a year in advance it can be eliminating potential customers who find it unintesting once it is announced or build on the enthusiasm from those who do. Why not take a more flexible approach and see what it has to offer? It would cost virtually nothing, but the potential rewards are great. Isn't just about anything that generates buzz and excitement about the CSO a good thing? A blog for the purpose of gaining input for programming would be one.

Steve Deiters

 
at 4/18/2007 08:27:00 AM Anonymous Anonymous said...

Steve Dieters, I actually rather like your idea! It's like adding the spontaneity of a jazz set or a bar band into the 'rigid' orchestral world. i'm thinking the orchestra librarians wouldn't be greatly for it though ;-) Nonetheless, you're right, it could add a whole new dimension to the concert going experienece!

 
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