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Classical Music
Janelle Gelfand on the classical music scene


Janelle's pen has taken her to Japan, China, Carnegie Hall, Europe (twice), East and West Coasts, and Florida. In fact, Janelle was the first Enquirer reporter to report from Europe via e-mail -- in 1995.

Janelle began writing for the Cincinnati Enquirer as a stringer in 1991 while writing a Ph.D. dissertation in musicology at the University of Cincinnati College-Conservatory of Music. She joined the Enquirer staff in 1993.

Born and raised in the San Francisco Bay Area, where she graduated from Stanford University, Janelle has lived in Cincinnati for more than 30 years. In her free time, this pianist plays chamber music with her circle of musical friends in Cincinnati.

She covers the Cincinnati Symphony, May Festival and Cincinnati Opera, the Cincinnati Chamber Orchestra, chamber music ensembles, and as many recitals and events at CCM and NKU as possible.

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Thursday, July 05, 2007

Money, money, money


According to an orchestra management blog, the Cincinnati Symphony Orchestra's Steven Monder earned the fourth highest salary among orchestra executive directors in the country in the 2004-05 season.

Drew McManus, administrator of the "Adaptistration" blog at artsjournal.com has examined more than 40 American orchestra's nonprofit reports to the IRS to compile his list. The top five:

The Los Angeles Philharmonic's Deborah Borda earned $1,325,542
The New York Philharmonic's Zarin Mehta earned $767,807
The Cleveland Orchestra's Gary Hanson earned $559,227
The Cincinnati Symphony's Steven Monder earned $530,383
The Boston Symphony's Mark Volpe earned $476,122

But Monder's reported compensation was inflated due to a one-time pension payout, that year, the orchestra says. His actual salary was $303,490. That puts him in a league down the list with the Detroit Symphony ($331,673) and the Baltimore Symphony ($324,467).

One has to read the fine print to get the full story on that whopping $1.3 million salary in LA. McManus notes that Borda's salary is a fluke due to a lump sum payment because of changes in a life insurance policy, hidden in the back of the orchestra's 990 Form to the IRS.

Still, with that payment subtracted, she remains the top paid exec, with $894,390, he reports.

McManus, on the other hand, cautions that these numbers may actually under-report the total compensation picture, leaving out such perks as bonuses and incentive pay, or travel and expense accounts.

Monder, 62, is the longest-tenured chief executive of a major orchestra in the U.S. The nation's fifth-oldest orchestra is ranked among the top 10 orchestras by budget (about $35 million), artistic quality and breadth of operations.

Photo: CETconnect
To watch a clip of Steven Monder talking about his job as president, visit this link at Cetconnect.


2 Comments:

at 7/05/2007 03:20:00 PM Anonymous Anonymous said...

I have to admit these are some pretty breathtaking compensation numbers for non-profits in a segment of the entertaiment/performing arts industry that on the whole is in crisis and maybe one local orchestra in particular. The moneyed elite who underwrite these organization have to be asking some questions I would hope-just what are we getting for our money to keep this thing going?

Concerned in Symphony Attendee from Oakley

 
at 7/10/2007 10:07:00 PM Anonymous Anonymous said...

Of course top quality organizations with international reputations have to pay competitive compensation for their key personnel. Such compensation does not guarantee competence, but without it, forget even being in the hunt for good people. No one should be surprised by these numbers if they're living in the real world. What we're getting for the investment in our orchestra is some of the best music in the world—the CSO has never sounded better. Sorry to say but some of the comments like “what are we getting for our money to keep this thing (sic) going” and earlier criticisms of Paavo’s attire are just remarkably obtuse.

 
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