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Classical Music
Janelle Gelfand on the classical music scene


Janelle's pen has taken her to Japan, China, Carnegie Hall, Europe (twice), East and West Coasts, and Florida. In fact, Janelle was the first Enquirer reporter to report from Europe via e-mail -- in 1995.

Janelle began writing for the Cincinnati Enquirer as a stringer in 1991 while writing a Ph.D. dissertation in musicology at the University of Cincinnati College-Conservatory of Music. She joined the Enquirer staff in 1993.

Born and raised in the San Francisco Bay Area, where she graduated from Stanford University, Janelle has lived in Cincinnati for more than 30 years. In her free time, this pianist plays chamber music with her circle of musical friends in Cincinnati.

She covers the Cincinnati Symphony, May Festival and Cincinnati Opera, the Cincinnati Chamber Orchestra, chamber music ensembles, and as many recitals and events at CCM and NKU as possible.

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Thursday, February 01, 2007

Music at Miami -- point and counterpoint

So what's really going on in Miami University's School of Fine Arts, which has vacant spots in both the Oxford Quartet and the Miami Wind Quintet? I gave the interim dean, Bob Benson, a call and here's what he said:

The Miami Wind Quintet has not disbanded, he says. Bassoonist John Heard retired in December and flutist Sandra Seefeld has also announced her retirement. Both positions will be replaced next year, Benson says. For the remainder of this year, bassoonist Robert Williams, first chair in the Detroit Symphony, is filling in.

"They will have temporary people in flute and bassoon next year while they search for permanent lines (tenure track faculty positions)," he says.

As for the missing violinist in the Oxford String Quartet, that position also will be filled -- although not as quickly, he says.

"It will be clearer by next year how soon that violin position will come back," he says. "It should be a couple of years before everyone is reinstated."

He said last year's news about the demise of the quartet involved "a series of half-truths. Morale in the department was low, and I felt it had to be changed."

The problem with funding the ensembles, he says, is that they depended upon "soft" money -- money that was available only because a faculty member had taken leave. Benson has been working with the Provost on a new plan. Last year, the Provost asked the music department to make $100,000 in cuts.

As for the Echternach (Luxembourg) International Festival Orchestra Miami project -- that is scratched for now, he says. It cost a lot and "we certainly aren't getting any more money from the state."

Since no one has approached Benson about the program, he said it would be up to the next dean to reinstate it.

When it was founded in 1946, the Oxford Quartet was one of the first quartets-in-residence in the country. Other schools were quick to follow its model, including the University of Michigan, University of Illinois, Indiana University and Northwestern University.

The quartet built Miami's strings program from scratch.

Benson has been interim dean of MU's School of Fine Arts since July, following Jose Antonio Bowen's departure. The university is conducting a search for a new dean.


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