Gruss aus Wien
Munich was a blur -- we were there barely 17 hours before it was time to jump on the next train to Vienna (Wien).
And here we are, right across the street from the Schonbrunn palace, the summer home of the Hapsburgs. Only problem is -- it doesn't feel like summer here. It feels like about 34 degrees. That hasn't stopped the musicians from enjoying their day off, after performing for three nights in a row in three different cities.
Vienna is still struggling to come into the 21st century, with a tech-savvy young population, a stark contrast to the Wieners who walk in the park in their boiled wool jackets and feathered hats. Our hotel allows smoking in the lobbies, which is also the only place where you can find the Internet.
Today, most of the musicians were out exploring Vienna, from the catacombs of Stephansdom to just hunting through music stores for mouthpieces and "Wiener horns." I spent a very interesting few hours with the Vienna Boys Choir, which has two Cincinnati boys from Westwood as members this year. Watch for a story in the Enquirer soon.
Then I decided to visit a few of my old haunts, since I lived here during my junior year in college. I finished it off with a piece of Sacher torte (from Demel) and kaffee mit schlagobers. On the way back to the U-bahn, I checked out the price of a tall latte at Starbucks: 4 euros, or about 6 bucks.
Photos:
String players checking out the acoustics out in the hall in Vienna's Konzerthaus
The percussion section sets up for the concert
Trumpeter Doug Lindsay
Luo-Ji Wu, violinist, outside of Konzerthaus
Beethoven to Paavo: So who is this Shostakovich?
Paavo signing autograph book backstage at the Konzerthaus
10 Comments:
Ms. Gelfand, while I'm enjoying your blog posts and photos of the CSO in Europe, I would like to mention something that does concern me about objectivity in your reviews. That is, when you travel with the orchestra, socialize with the orchestra, and dine with the orchestra, how can you objectively review the orchestra as a music critic? For instance, in the Thursday preview concert before the tour, there were many problems from woodwind intonation issues, flubbed brass notes and entrances, and a couple ensemble problems here and there. Yes, the overall quality is very high these days and we're all pleased with that, but when one attends a CSO concert, hears the glitches, errors, and miscues, and sees nothing but glowing praise on top of glowing praise, that is when the objectivity is called into question.
I'm searching the local newspapers in the cities where the concerts have been played and am not seeing reviews. Maybe these aren't available online. It would be most enlightening to read the local reviews of the concerts. Can you supply links to any reviews you are aware of?
I'm not socializing or dining (other than breakfast) with the orchestra. I dash off to download photos, and eat in my hotel room while I'm writing these posts and reviews. My schedule is different than theirs. If I think there's an interesting story, such as the brass field trip, I will accompany a group as a reporter, with pen and camera. As for the concert you heard, yes I heard a couple of flubs, but not so many problems you suggest. In the one hour I have to write a review on deadline, I try to capture the essence of the concert from an expressive angle and whether it made an impact or was interesting or not, musically. If you want to start counting little glitches and mistakes, you may as well go buy a CD and forget about live music. Unless it's really bad, which it was not. I just scanned some reviews in German today and they look very favorable, but I haven't translated them yet.
I have been unable to find international reviews on the Munich and Vienna concerts, but the April 4th concert in Frankfurt received a very favorable review by Stefan Schickhaus of the Frankfurter Rundschau.
C'mon Anonymous......we all know the quality of the CSO (top notch), and we all know that live performances are not perfect. The fact that you heard some flubs indicates you are somewhat educated about this topic, so for you to zing Janelle and question her objectivity shows that you really just want to stir the pot. Enjoy the world class CSO, appreciate that the enquirer pays to have Janelle with them so we can get timely updates, and limit your negativity.
Bravo 11:44--one time we asked a musician why there was an off note/key and the reply was 'we are human',that is the only answer. They play their hearts out and Ms. Gelfand can hear and write what she feels.
Anyone who's read Janelle more than one time KNOWS that she gives her honest opinion, favorable or unfavorable.
To question her objectivity is just not fair.
I have been a long time music listener. I am not going to lie. I really do not get the whole classical music genre. I do have respect for the composition and the musician however, I don't get the fans (or listeners or i dont know what you are but). What do you get out of it. It seems like a lifestyle more than a taste for music. As a young man and a listener of Jazz music i understand that music can be an aquired taste. I can listen to any kind of music but classical, can someone please explain (this is not an attack or a shot at anyone who likes classical) why do you like classical music? Maybe that would be a good blog topic too? (i dont know)
Carson Palmer will be MVP (just sayin)
Mike from poor and confused
Mike, you bring up a good question. Why do you like jazz and I prefer classical? I was initially attracted to the form and joy in the music of Mozart, and have found subsequently incredible pathos and depth in his music. Also classical music has a fascinating history behind it and I'm a history buff. Then too I think it helps to study music, I was a voice major in college. I didn't come from a musical family, but when the CSO played at my high school years ago, I was hooked. Jazz music is a universe in itself. Keep up your interest in music, it's what life is all about, and maybe the world of classical music might have something that interests you. (Tom)
Thanks Tom, I can dig that! I did catch myself learning some classical guitar to some Bach this weekend. I hate to ruin it for anyone (if it does at all) but classical is actually some great music to throw over a distorted metal (yet melodic) guitar solo. Hey I tried Bach you should try Miles Davis? Jazz has a rich history itself. I'll look into some of the classical if you try a bit of Jazz or Blues! Thanks Tom!
Mike from the West Side (not much culture)
Hi, very nice web site, it's an AAAA+++ Credit to Classical Musicians, please keep up the great site,I know it's hard work, but very rewarding also.
We all need places to visit like this,it's very , very nice.
If you have time stop by my website someday and say Hi.
Thanks GW Williams - GW Williams
Rock,Blues,Jazz Guitarist GW Williams, Free Lessons,Guitar Info,Concert Dates, CD Released and videos
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