Sold-out shows, scalpers end CSO tour
The CSO's 12-city tour of Europe is now a blur. Like most of the other concerts on this tour, the final three in Spain were sold-out triumphs. Barcelona, where the orchestra played in 2004, has an extraordinary hall, Palau de la Musica Catalana, a riot of decoration, peacock-colored stained glass, frescos -- all capped by a ceiling that looks like a Tiffany lamp.
What I enjoyed about this hall last Thursday was the casual crowd, which had drinks on a patio outside, as well as inside at a wonderful bar. And nearly every hall had audience seated behind the orchestra, where people leaned over to watch the musicians play, or watched to see how Jarvi communicated with them.
On Friday, the CSO played its final concert in Madrid's Auditorio Nacional -- at the impossible hour of 10:30 p.m. The concert ended around 1 a.m.
But this was Spain, so people were just starting their evening. Amazingly, a full orchestra concert preceded the CSO's in the same hall -- Madrid's orchestra, conducted by Leonard Slatkin and starring the Chinese pianist Lang Lang in Chopin's Piano Concerto No. 2.
Slatkin came backstage -- where Paavo Jarvi's name was already taped onto his dressing room door -- and greeted some old friends in the orchestra, including his former youth orchestra student, Catherine Lange-Jensen.
What amazed me -- both concerts were sold out, with scalpers outside selling tickets.
Other images of Spain - a sudden thunder-and-hail storm in Barcelona... and the fantastic market right off the Rambla; audience members outside the Palau de la Musica before the concert.
Would you like to have seating behind the orchestra at Music Hall? A patio and bar for drinks and appetizers?
3 Comments:
I'd love seating behind the orchestra at Music Hall. As a May Festival Chorus member, I've always said that we have the best seats in the house. When I'm in the all for orchestra-only concerts, I miss being able to see all of the action.
How such seating would work for choral concerts mystifies me, but I'm sure that could be worked out. Let's gut the place and rework it entirely!
Seating behind the orchestra? How about cameras pointing from that direction with the images projected on screens so the entire hall can share and enjoy the perspective. It would be relatively easy to accomplish with a wider audience benefiting.
What images? Focusing on whom? It would be such a silly distraction, and extremely expensive. Relatively easy? Give me a break.
No, don't gut the place. Music Hall has it's pros and cons, but if you want to completely redesign the place, just build something new.
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