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Classical Music
Janelle Gelfand on the classical music scene


Janelle's pen has taken her to Japan, China, Carnegie Hall, Europe (twice), East and West Coasts, and Florida. In fact, Janelle was the first Enquirer reporter to report from Europe via e-mail -- in 1995.

Janelle began writing for the Cincinnati Enquirer as a stringer in 1991 while writing a Ph.D. dissertation in musicology at the University of Cincinnati College-Conservatory of Music. She joined the Enquirer staff in 1993.

Born and raised in the San Francisco Bay Area, where she graduated from Stanford University, Janelle has lived in Cincinnati for more than 30 years. In her free time, this pianist plays chamber music with her circle of musical friends in Cincinnati.

She covers the Cincinnati Symphony, May Festival and Cincinnati Opera, the Cincinnati Chamber Orchestra, chamber music ensembles, and as many recitals and events at CCM and NKU as possible.

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Sunday, February 11, 2007

Music Hall guest editorial

Readers are extremely interested in the possible renovations planned for Music Hall. Besides a letter to the editor from another reader last week, I received this guest column from Joseph Schuchter. Here's what he has to say:

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Music Hall Makeover – Let the music, and the reader, decide

The reactionist’s reaction to Sunday’s article "Experts turn in recommendations on 129-year-old Music Hall makeover" would likely be one of head-shaking and finger-pointing. One of lamentation and unconstructive remarks. A typical response of too many Cincinnatians who, beleaguered by negative or opaque news stories, do not always see the great accomplishments and positive momentum in our city.

Missing from the article were a few simple facts, which when with withheld may have led readers to believe that the Symphony was downsizing as a result of (poor) attendance.

There was mention of a half empty hall, followed by words like "concerns," "restructuring" and "downsizing." Effectively, if the glass is half empty, get a smaller glass. There was talk about glamour, which would arrive in the form of a gift shop. Don’t forget the more secure parking which would lure on-the-fence, occasional, or first-time symphony go-ers downtown. No doubt these might be nice upgrades, but we are now led to believe that the facility renovation is simply an enticement to fill the seats, that our world class symphony alone is not good enough.

However, the true story is that the glass is half full. Some key facts which went missing: attendance is not poor; the most famous concert halls in the world hold less than 3,000 people; our hall at 3,400 seats is a monster designed for other purposes; the CSO musicians must upgrade their instruments and play more vigorously to fill such a space; resultant hearing damage is a reality for the musicians; and to transform a bunch of sounds into a symphony, halls require highly specialized designs.

That's it. Just a few additional sentences would have helped the reader not versed in Music Hall's history or the facets of concert hall design to navigate through the article and turn the page with a bit more knowledge and enthusiasm.

The music speaks for itself. This much is clear. And few would deny that our world class symphony deserves a more suitable facility. Whether such a great landmark should undergo a costly and drastic change is another question. Perhaps our eyes and ears in journalism can work up a report on this. We appreciate the story on a closed-door session. Just give us a bit more help in getting it straight.


5 Comments:

at 2/13/2007 04:21:00 PM Anonymous Anonymous said...

My God, Janelle, are you actually taking this fellow seriously? You must be; otherwise, why would you reprint his inane views?

His "key facts" are simply idiotic:

"attendance is not poor"

Attendance is abysmal, and you know it. Though allowances can be made for the smaller metropolitan population of Cincinnati, it must be kept in mind that comparable major symphony orchestras in smaller halls perform their programs at least three times, and usually four times. If other symphonies average 2000 persons per night, that's 6 - 8,000 people per program; in Cincinnati, the symphony is lucky to get 3,000 per pair (even including comps).

"the CSO musicians must upgrade their instruments and play more vigorously to fill such a space;

Clearly, Janelle, you haven't done a very good job of publicizing the injuries that have become rampant to the point of criminal negligence throughout the orchestra. The brass section, especially the high brass, has been decimated over the past five years (or haven't you noticed?). This is strongly held to be the result of acoustical changes that have been made to the stage, starting with Jesus Lopes Cobos' acoustically untested (and ultimately abandoned) "clouds" dating from the late 1980's, through the half-measures created by Russell Johnson (though he completely disavows the project now, as a result of the CSO's inappropiate adjustments to his designs).

And what the hell is he blathering about here:

"resultant hearing damage is a reality for the musicians; and to transform a bunch of sounds into a symphony, halls require highly specialized designs."

I'm sorry, but if this is the best you can do for reader input for the very important issue of Music Hall renovations, then I must say Cincinnati's in bigger trouble than I feared.

 
at 2/13/2007 08:00:00 PM Blogger Janelle Gelfand said...

To address your points: First of all, this is guest commentary, not my opinion. Secondly, I have been reporting CSO attendance regularly for 15 years, and yes, we all know it is falling.

As for musician injuries, neither symphony management nor the musicians themselves tell me about their personal injuries. If solid information is forthcoming, I'll report it. The recent story in the Wall Street Journal is the first I've ever seen in the press.

Finally, we've had tons of reader input regarding Music Hall. Check out the archives to your left. Thanks for writing.

 
at 2/25/2007 05:23:00 PM Anonymous Anonymous said...

Martin Oestreich, like so many know-it-alls in Cincinnati chooses to play the blame game, and refuses to have an open mind on this subject. There are other alternatives if one only has the vision to see them. Alas, I doubt that will ever happen in Cincinnati.

 
at 2/25/2007 08:29:00 PM Anonymous Anonymous said...

Correction: I should have said "like so many know-it-all blogers." It is impossible to know what most Cincinnatians are thinking.

 
at 3/09/2007 06:43:00 AM Anonymous Anonymous said...

Thanks Martin for sharing your views.

“Attendance is not poor” is simply a suggestion that the average bear change their perspective. It says nothing about trends or what the ideal or calculated attendance should be. Rather, it is a reminder for the common concertgoer not to be disappointed by a half-empty hall, and focus on the music. One possible reason for the “less than ideal” attendance may be that your run-of the-mill, not-so-well-versed friends of the symphony are not keen on hobnobbing with attitudes like your’s.

Regarding your second critique, are we not both saying the same thing? (That) injuries occur because the design of the hall require a different level of playing? This is certainly worth investigating.

Thanks Keith for grounding the conversation. Open minds are indeed the key.

 
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