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Classical Music
Janelle Gelfand on the classical music scene


Janelle's pen has taken her to Japan, China, Carnegie Hall, Europe (twice), East and West Coasts, and Florida. In fact, Janelle was the first Enquirer reporter to report from Europe via e-mail -- in 1995.

Janelle began writing for the Cincinnati Enquirer as a stringer in 1991 while writing a Ph.D. dissertation in musicology at the University of Cincinnati College-Conservatory of Music. She joined the Enquirer staff in 1993.

Born and raised in the San Francisco Bay Area, where she graduated from Stanford University, Janelle has lived in Cincinnati for more than 30 years. In her free time, this pianist plays chamber music with her circle of musical friends in Cincinnati.

She covers the Cincinnati Symphony, May Festival and Cincinnati Opera, the Cincinnati Chamber Orchestra, chamber music ensembles, and as many recitals and events at CCM and NKU as possible.

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Thursday, October 26, 2006

A few random thoughts about the symphony


Bring back the women’s committee: Remember the Women’s Committee of the CSO? About 20 years ago, the ladies were selling subscriptions, inviting friends and neighbors and even dragging their husbands to concerts. Several men were always seen at intermission with earplugs listening for the Reds score, but they were THERE. In the committee’s heyday, president Louise Nippert oversaw 1,000 women who each canvassed a neighborhood. Then – telemarketers replaced the Women’s Committee. I believe that was the beginning of the downturn in attendance. Why not bring it back? Rick Reynolds’ pitch to bring your friends -- or 2 or 3 -- is exactly what is needed right now. Often a personal invitation will make all the difference.

Click here to check out this weekend’s program with the May Festival's director of choruses Robert Porco (shown) conducting Britten, Bach, Schubert and Vaughan Williams.

Educate: But they already do, you say? I say, it’s time to educate the adults. Take a look at this fabulous Web site that the San Francisco Symphony just enveiled. You can listen to a recording of Beethoven’s Eroica Symphony while you follow the score and watch a podcast of Tilson Thomas and the orchestra playing it at the same time! There’s also historical background.

It’s meant to be a companion to the SF Symphony’s Keeping Score TV series for PBS, that begins airing next week. You can also find trailers for the Keeping Score TV series on this same site.

Another blog: The discussion about the symphony has now migrated to another blog! Check out the violinmasterclass Web Site to see what CCM professor Kurt Sassmannshaus has to say about Music Hall and the symphony.


2 Comments:

at 10/26/2006 06:47:00 PM Blogger Primavera said...

janelle,

the link to violinmasterclass is not working. i even tried using just the domain name. maybe it's just a temporary glitch.

 
at 10/27/2006 11:52:00 PM Anonymous Anonymous said...

This is exactly what I posted a week ago. The envirnment, in and outside the hall doesn't work. There is no intimacy. The orchestra's playing in another room and it feels and sounds like it. Because of the size and poor acoustics there is a disconnect between audience and musicians. The experience lacks a certain immediacy. Also while playing it is very difficult to hear well from side to side and front to back. The outside envirnment we all know about. It'd be nice to walk to a coffeeshop instead of a gun or dope dealer.

 
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