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Classical Music
Janelle Gelfand on the classical music scene


Janelle's pen has taken her to Japan, China, Carnegie Hall, Europe (twice), East and West Coasts, and Florida. In fact, Janelle was the first Enquirer reporter to report from Europe via e-mail -- in 1995.

Janelle began writing for the Cincinnati Enquirer as a stringer in 1991 while writing a Ph.D. dissertation in musicology at the University of Cincinnati College-Conservatory of Music. She joined the Enquirer staff in 1993.

Born and raised in the San Francisco Bay Area, where she graduated from Stanford University, Janelle has lived in Cincinnati for more than 30 years. In her free time, this pianist plays chamber music with her circle of musical friends in Cincinnati.

She covers the Cincinnati Symphony, May Festival and Cincinnati Opera, the Cincinnati Chamber Orchestra, chamber music ensembles, and as many recitals and events at CCM and NKU as possible.

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Wednesday, December 05, 2007

The return of the Amernet Quartet


A snow warning Tuesday night didn't keep hundreds of fans from coming out to see the Amernet String Quartet in Corbett Auditorium at CCM. (Most impressive: the long student line at the box office.) The ensemble, formerly in residence at Northern Kentucky University and CCM, now holds a residency at Florida International University in Miami.

For their debut with Chamber Music Cincinnati, they brought a superb and varied program, which included local soprano Audrey Luna in Schoenberg's Quartet No. 2.

Schoenberg's Quartet No. 2 in F-sharp Minor of 1907-08 is one of his first forays into atonality, but its sonorities often lean to post-romanticism. What is most striking is the use of soprano voice in the third and fourth movements, settings of evocative German-language poems by Stefan George, translated as "Litany" and "Rapture: I feel the air of other planets."

The players -- Misha Vitenson, Marcia Littley de Arias, Michael Klotz and Javier Arias -- were at home in Schoenberg, despite the music's chromatic, angular themes. They projected intensity in the angst-ridden first movement, that ended on a note of unexpected serenity. The second movement, "Sehr rasch," which includes an improbable quote from "Ach du lieber Augustin," was disjunct, agitated and fragmented, yet the ensemble showed amazing unity of attack and mood.

The effect of Luna's vocal color against sometimes-austere string counterpoint was arresting. Luna, a faculty member at Miami University, delivered a riveting performance and projected beauty of sound despite the challenges of the vocal line. The finale was an otherworldly combination of strings creating a spectacular canvas with high harmonics and swirling figures, while the singer's evocation was rapturous.

Also on the program: Haydn's Quartet in G Minor, Op. 74, No. 3, "The Rider," and Beethoven's Quartet in A Minor, Op. 132. The Beethoven, especially, was rich-toned and expressive. The heart of the work, "Heiliger Dankgesang," was sublime for the organ-like sonority and purity of tone achieved by the players.

FOOD FOR THOUGHT: By the way, one of the nice things Chamber Music Cincinnati does is to provide free snacks to concertgoers at intermission. This time it was cookies and coffee, courtesy of The Rohs Street Cafe on W. McMillan. It's a nice touch, and gives people a chance to socialize...

The Chamber Orchestra does a free reception after each concert and CSO has a free dinner buffet on Thursdays.

DO YOU THINK WE NEED FOOD AT CONCERTS, OR NOT?


4 Comments:

at 12/06/2007 12:26:00 PM Anonymous Anonymous said...

Not a bad idea. Might motivate some people, especially the younger ones, to come to the concert and maybe get hooked on classical music.

 
at 12/06/2007 02:28:00 PM Anonymous Anonymous said...

Ideally, we should have large numbers of patrons there simply to enjoy the music... but the world's not perfect. I think food is a great idea to attract people. I sometimes go to things I dread (conferences or lectures) simply because I hear the food is going to be both free and good.

 
at 12/06/2007 04:51:00 PM Anonymous Anonymous said...

I think that this is one thing that has missing at CSO concerts. An opportunity to socialize after the concerts has always something that has been lacking to top off an evening at a concert. Drinks and snacks would be a vehicle for socialzation not because it is "free and good" for people to stick around.
The need for is more than amply demonstrated by the people who stampede to the aisles and run toward the doors as fast as their bodies can carry them before the conductor has barely left the stage and the applause is not finished for the orchestra and the featured artist at CSO concerts. I always viewed it as height of rudeness on all levels to the maximum degree.
If you have stayed around after the concerts when artists are signing CD's it is nice to socialize with other people who have the same interests as yourself. Gives you a chance to check out the stuff at the gift shop, etc. etc.
There you go again Janelle making suggestions that run against the grain of the norm and the way it has been done for, well, decades if not literally generations!
What's the new marketing director think?

 
at 12/07/2007 12:12:00 AM Anonymous Anonymous said...

Bravo Janelle for your review. I attended that concert and loved it!!!! The ending of the 1st mvmt of the Beethoven was unforgettable for its intensity. Im a viola student at CCM and I have to say that Michael Klotz is one of the most superb violists I have ever heard! I love watching him, he really expresses the music and his sound is glorious. The rest of the quartet is terrific also. I truly wish CCM had a quartet in residence - maybe the Amernet will come back at some point!

 
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